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Tag: Fashion marketing

Kate Spade Knew Its Audience

Kate Spade Knew Its Audience

February 28, 2019January 31, 2023 Clairemont InternBlog, Fashion, Social Media + Influencer EngagementBrand Evolution, brand makeover, Fashion marketing, fashion pr

“Our new logo. Our new label. Our new pink,” read the caption of a recent Kate Spade Instagram post alongside a photo of its new tag color. One spade motif at a time, Kate Spade dropped its spring 2019 line — and longtime fans sprang up with vocal feedback as they noticed the striking changes. But Kate Spade became a shining example of a brand that knew its audience and had a plan in place to ensure a successful debut.

As public relations practitioners, we know that a crisis with a strategic, thorough plan is always manageable. But in the age of social media, customers expect businesses to respond online with unprecedented speed. Kate Spade led a master class in customer advocacy, as the team anticipated questions its audience would ask ahead of time and was therefore adequately prepared with responses for each during the roll out of the campaign. Comment after comment, the brand tackled each fan’s issue with ease, consistency and aplomb on social media.

Here are some examples:

1. Fan: @rancatburtanog wrote, “I feel like ‘re-imagined’ is a word for ‘we’re phasing it out.’ I love KS and I have loved it for a long time but please do not turn this brand into a bunch of ‘signature’ collections like Coach and MK. They are everywhere and it makes the handbags look cheap and ordinary.”
Kate Spade: “@rancatburtanog we promise we are not phasing out the spade. You’ll see it featured in lots of products throughout the collection ♠️. We are excited to show you!”

Lo and behold, not long after, Kate Spade posted a few Instagram images featuring the use of the spade, such as the following:

2. Fan: @breeflan wrote, “I liked the green. It was more unique. Everyone associates pink with being girly, I’m sad to see this change. I really valued the fact that everything wasn’t pink pink pink. That’s Victoria’s Secret.”
Kate Spade: In a follow-up post, the brand captioned, “Our new gift boxes. They’ll have our new tissue paper inside, too. Each box has a different combination of our brand colors—the ones we call pink kiss (bright pink) to clover (dark green), cherry blossom (light pink) to honey bee (yellow). 5 days until we share all the newness that’s coming on January 28th. We can’t wait.”

3. Fan:@denise_caskey wrote, “Where is Kate’s trademark♠️? “
Kate Spade: “@denise_caskey hi! you’ll see the spade featured throughout the collection in new and exciting ways. we can’t wait to show you!”

There is a stronger feeling of loyalty that grows when a brand responds to you directly as an individual in a public forum. Remember, your brand is not your logo, colors or name. As author Maya Angelou said, “People will forget what you said, people will forget what you did, but people will never forget how you made them feel.” Your brand is simply how you make people feel, which in turn generates how they feel about your brand.


See the complete Kate Spade New York Spring 2019 collection!

Ultimately, being handed the reins of a big lifestyle brand like Kate Spade is a tremendous responsibility. But will the brand’s loyal fan base follow the newly appointed creative director Nicola Glass as she continues to push forward with Kate Spade? No doubt her goal is to bring new customers into the fold while still keeping those die-hard Kate Spade fans happy. It may be a high-wire balancing act, but Glass is acing it so far.

Brand revolutions can take many forms. For tips on approaching your own rebranding efforts, check out our Miss America: Brand Revolution? blog!

Written by Clairemont Intern Ru Wolle, a senior at NCSU.
Photos from @katespadeny [Instagram]

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The Intersection Between Fashion & PR

The Intersection Between Fashion & PR

January 11, 2019January 31, 2023 Clairemont InternBlog, Fashion, The Clairemont TeamEntry level PR, Fashion marketing, fashion pr, Raleigh PR Agency

Made in Addis Ababa, Ethiopia.

I resided in the rolling hills of sunny California before making it to the water tower town of Holly Springs, North Carolina. I’ve always repped the West Coast, but these days my heart is set on staying in the East. Maybe even to the “Concrete Jungle Where Dreams Are Made” — New York City, the fashion capital of the world.

When people say “I love fashion” I’m always curious to know why. Let’s be honest; fashion is a world on its own– a vast universe filled with dreams and goals but also a cutthroat industry that can get quite superficial.

Here is why I love fashion:

Beyond allowing me to be who I want to be, fashion has always reflected and supported our culture and identity politics throughout time. Contrary to popular belief, fashion can be intellectual, from adapting suits for women to wear as they entered the male-dominated workplace in the ’80s, to providing an outlet for different subcultures to express themselves, and even to deconstructing gender binaries with unisex clothing.

As a public relations major, I’ve learned that millennials and Generation Z are the current driving force in the ever-changing apparel world. This new generation of shoppers are seeking out meaningful experiences and finally placing their trust in designers to deliver authentic and organic marketing.

Five years ago, I discovered what I wanted to do with my love of fashion. I was 19 and living in Los Angeles. Fairfax Avenue, the mecca of street culture, became the go-to shopping destination for my friends and me. To any visitor, the iconic street exudes a generation of muralists and skaters making their mark on the city and entrepreneurial shop owners coming in to capitalize on the mainstream of its aesthetics.

Although these new successes on the block parallel the increasing success of streetwear as a whole, I noticed a void. Streetwear brands don’t cater to women, while the very few that do make the mistake of trying to interpret the look for women, when women are attracted to wearing it the way it existed in the first place.

The more I learn about fashion, I realize that the culture still falls short of inclusivity. As someone who has a voice and understands the impact of PR, I want to amplify the voice of the profession. I want to pursue a career in fashion PR and align myself with brands that ultimately create meaningful relationships with younger, cause-driven consumers. Millennials aren’t just more likely to shop ethically; they’re also more inclined to purchase garments that visibly champion their beliefs. In a digital age of personal branding, fashion exceeds mere aesthetics and propels us towards empowerment.

Written by Clairemont Intern Ru Wolle, a senior at NCSU.
All photos from Canva.

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